In this series, named after TtV photography, I want to share with you a work of art, be it a painting, sculpture, manuscript or drawing from my vast collection of museum visit images.
I can't say that I usually pay much attention to Spanish art in museums. After all, my focus in both research and living history is North and Western Europe. I have to admit though, that many interesting things can be found in southern European art, even for the scholar and amateur alike that study different regions alltogether. It is often in the differences in what we see that we can learn something about our own subject. Take dress for instance, only by comparing the dress of different areas, it becomes clear what features are typical for a certain place at a certain time.
This altar (dated 1420-30) is thought to be the major work of an anonymous artist, known as the Master of Roussillon, who was influenced by Lluís Borrassa (active between 1380-1424/5). He worked in the region of Roussillon, in Catalonia. The altar is believed to have originally come from a church in the city of Perpignan. For a full view of the altar, follow this link.
The central panel shows Saint Andrew, both apostle and a disciple of Saint John the Baptist, who is holding his attribute: a cross. In the panel above are the Virgin and child surrounded by saints and angels. The flanking panels depict important events in Saint Andrews's life, while the scenes in the predella below are devoted to a number of more obscure episodes.
I have to confess that initially it was the funny looking frilled veil on one of the side panels that made me stop.
Do you notice her funny (and coloured!) top frill and a white veil or coif with a narrow black frilled edge? I'm not sure if this actually represents a type of headwear that existed in real life, after all, this lady does represent the devil, but it sure looks fantastic. I also love her fabulous black gown. Disney should have used this figure as an example for Snow White's evil queen!
Somewhat less spectacular perhaps, but I loved this scene from the predella because of the wonderful fabric on the bed and the interesting white caps and neck coverlets the three women are wearing.
Well, I cut Saint Andrew out of this detail, so what you see is actually the men crucifying him, rather than him being crucified. These bad guys do wear some marvelous clothes though. Did you spot the scalloped wings at the shoulders of the lavender grey robe? I wish I could have a garment like that. Seriously. I might consider reenacting a biblical bad guy from the Pirenées just to have a justification for having such a thing.
(Not really though!)